Showing posts with label Ed French. Show all posts
Showing posts with label Ed French. Show all posts

Monday, July 8, 2024

Sliders (1995)

Sliders was fairly sparse on episodes needing elaborate special makeup effects, with each episode that did having no makeup effects credits. The episode 'Invasion' is such an example, though being filmed in Vancouver already narrows down the list of suspects!

I suspect the Kromagg makeups in the episode were the work of Toby Lindala, who was based primarily in Vancouver as he worked on The X-Files. In fact, several X-Files Grey masks are actually seen in a display case in one scene of 'Invasion'!

Between the reused X-Files masks and the similarity the Kromagg makeups have to Lindala's alien makeups for The Outer Limits episode 'The Grell', I'm certain that Lindala (or at least a member of his studio) must have worked on this episode.
Location filming for Sliders moved to Los Angeles after the second season completed, which resulted in a variety of makeup effects artists working on assorted episodes. Todd Masters supplied some makeups and puppets for a couple of episodes, such as the slug puppet in 'The Breeder'.

However, certain episodes also required more advanced prosthetic makeups; according to Stephanie Fowler, who was the makeup department head, it was Michael Westmore and Ed

French - who were both providing the makeup effects for Star Trek: The Next Generation and its sequel series - who contributed these makeups.

Fowler specified that Westmore made the pieces but didn't work on-set, with Ed French applying it on-set. In an email to me, French recalled that he had worked on the episode 'State of the ART' (starring Robert Englund of Nightmare on Elm Street fame), supplying assorted light-up prosthetic pieces (the same sort put on Brent Spiner as Data on Next Generation?)

The vampire-like makeups in 'The Last of Eden' must have been Westmore and French's work; sadly I haven't been able to find any behind the scenes photos of these makeups. The makeup design was applied on several performers in the episode.
A lion-like facial appliance was made for Deron McBee as the lion mutant Ceres in 'This Slide of Paradise', and again I wish there was more behind the scenes photos of this makeup!
The last two seasons had their special makeup effects supervised by Bernd J. Rantscheff, his team including Thomas Surprenant and James Rohland. Rantscheff's team redesigned the Kromaggs to be more human-like, now with heavy brows, noses and bald heads.

(I also would like to thank Thomas Surprenant for kindly sending me the behind the scenes photos he took during his time on the series!)

Rantscheff's team also realized the cyborg Eddies in the episode 'California Reich', with a silvery facial prosthetic obscuring the performer's mouth, as well as a half-face makeup applied to Carol Huston as an incomplete Eddie.

Sunday, December 3, 2023

Space Rangers (1993)

The special makeup effects for the short-lived scifi series were overseen by Tony Gardner's Alterian Studios in the pilot episode, with make-up supervision later overseen by Ed French. French would get an Emmy nomination for his work on Space Rangers, shared with Marvin Westmore. Alterian's work was mostly for the titular aliens of the episode 'Banshees', realized as a puppet.
French realized the Vee'Lons in the episode 'Death Before Dishonor', reptilian humanoids with frills and scaly cranial ridges. The first image was kindly provided to me by Ed French himself via email.
Other alien makeups were used in the episodes 'To Be or Not to Be' and 'The Trial', mostly for the large forehead type design.

Friday, October 6, 2023

Tales from the Darkside (1983)

(Note: I would like to thank Ed French for sending me some of the images included here via email, as well as hosting them on his own Instagram page!)

The pilot episode of Tales from the Darkside, 'Trick or Treat', had its special makeups realized by Ed French; the makeup that got the most attention was the witch makeup, following a classic crooked nose and green skin design.
Several demon prosthetics were also designed by French; the red lighting obscures that the makeup was pink in colouration. Sadly no behind the scenes images of the background demon masks!
An undead pirate makeup was also realized by French, with a skeletal ghost also made; sadly no behind the scenes images of the ghost so far!
The Lizzie creature of 'Inside the Closet' was designed and sculpted by Tom Savini with Mike Maddi 'executing' the effects according to the credits. The puppet remained in good condition years after the show ended, judging by the photos posted by TheRPF user 'nosajpks' here (some of the images reposted here, but I've provided the source link at the bottom of the page). The puppet fell into neglect until it was restored by Tom Spina and their team, the images of which you can find on the TomSpinaDesigns website.
Ed French handled the special makeup effects in 'A Case of the Stubborns'; a series of makeup stages were applied to Eddie Bracken, with the last being the most elaborate, showing the undead grandad's decomposition.
Bryan Moore, a relative newcomer to the makeup business at that point, handled the special makeup effects in 'The Impressionist' which meant sculpting the episode's Hoffgosh alien mask and gloves. Originally, Moore wanted a different look for the alien, but this was shot down by the episode's director;

'I wanted him to look like the Tasmanian Devil from Bugs Bunny, and I sent my designs to Armand (Mastroianni). He liked the designs, but he wanted a peaceful, asexual alien. He and the art director made a design and I sculpted from it.'

'Originally, I was supposed to make a full body suit, but the way the budget was, all I could make was a head-and-shoulders mask, the hands, and some dentures. They girl they hired to play the monster is a professional mime, The face didn't move too much, but she really made it come alive.'

Savini returned to direct the episode 'Halloween Candy' in addition to designing its monster; the demon was realized as a mask similar in design to the one he had realized for Fluffy in George A. Romero's Creepshow. Greg Nicotero and Howard Berger assisted Savini in realizing the demon.
Ed French handled the makeup effects for 'The Devil's Advocate'; French made several very subtle makeups for Jerry Stiller to wear in the episode, before eventually a full demon face makeup was made for his final form.
The witch and ogre in 'Monsters in my Room' had their makeup artists uncredited; perhaps they could have been a freelancer's work, if not by some of the regular FX artists.
Ed French was the special makeup effects artist on 'The Circus'; one of the more elaborate makeups was the ancient vampire, as a full prosthetic mask and hand appliances.
Another makeup French designed for 'The Circus' was a werewolf, that sadly was barely glimpsed in the episode itself, only shown better in behin the scenes or publicity photos.
The titular swine demon of 'The Cutty Black Sow' was designed by Ed French, with assistance from Ken Walker. The Sow was a prosthetic mask and gloves, with animatronics fitted inside the mask to move the snout and light up the eyes.
The undead mummy makeup in 'The Grave Robbers' was realized by Mike Maddi; it's only briefly seen in the episode itself.
The werewolf mother and son in 'Family Reunion' had their makeup designed by Tom Savini with assistance from Ed French; Howard Berger and Greg Nicotero were also credited as assisting in the episode.
Sources: TheRPF 'Tom Savini Pics (Jason Vorhees & Lizzie)' forum thread